Honeysuckle showcases artists who are brave enough to make their stake in the world as artists. We know how hard it is. We present works in fine art, pop art, music, fashion and film.
People loved how this weird and funny writer spoke his mind and did not care what anybody felt about it, and did it all through a relatively new and exciting platform.
Weller’s biography focuses on Carrie Fisher as a complex, larger than life force of nature.
Though they drastically differed stylistically, the dancers all carried the same level of impressive passion and skill throughout the performance.
Both memoirs anatomize how high hopes and manifest efforts in the right direction somehow all came crashing down.
The film uses ironic humor to critique the disproportionate ways people of color suffer from the distribution and consumption of cannabis.
Female empowerment is a big theme in almost all films that were showing that night.
Justice Justice is a reminder that karmic debts are currently being paid. No matter what is happening, you must trust that everything is going to work out in the end. A balance will be struck this month, and the Universe will assure that this is fair. In some cases, it may be hard to see...
Growing cannabis is easy and can be a great hobby; read on to learn how!
Rae has begun to redefine aerialist performance away from a gender binary model and more.
They range from narrow and restrictive gender expectations to outright bigotry.
“RAD is a company that makes it a top priority to lead with education when it comes to hemp and CBD."
Emily Robinson squeezed in some time to talk with Honeysuckle about the film, her inspiration, and how she’s living her best, post-adolescent life
By: Riley Dole Lynn Novick’s [https://www.pbs.org/kenburns/about-the-filmmakers/lynn-novick/] brilliantly insightful documentary, College Behind Bars, screened on November 16, 2019 at the first Harlem Documentary Film Festival. [https://documentaryforum.org/harlem-docfest/] The four hour, four-part series, executively produced by Ken Burns [http://kenburns.com/films/college-...
When stepping inside Samantha Keely Smith’s Brooklyn studio, it is impossible to miss the massive, surrealist paintings decking the room. There is an abundance of detail to examine in all of them: miniscule trickling veins of paint, hidden opaque layers upon layers, scraped away and repainted clouds. Some pieces are serene, while others are...
