Writer-Director Nia DaCosta Scored Big with Little Woods
The women live in the fracking boomtown of Little Woods, North Dakota, a small, economically-depressed area where they have few options and no hope.
Honeysuckle showcases artists who are brave enough to make their stake in the world as artists. We know how hard it is. We present works in fine art, pop art, music, fashion and film.
The women live in the fracking boomtown of Little Woods, North Dakota, a small, economically-depressed area where they have few options and no hope.
The black and white film is a celebration and unveiling of feminine resilience, sexuality, and enchanting power.
Her ambitious plans include starting her own youth consumption prevention programs as an alternative to the government’s very aggressive programs.
New York is a place where things happen that couldn’t happen anywhere else.
The festival displays radical films that depart via content or technique from stereotypical Hollywood productions to push back on commercial and audience expectations.
Darian Brenner [https://www.thirdeyefilmfest.com/about-2] and Namu Desai [https://www.thirdeyefilmfest.com/about-2]...
First we were getting high in our basements, then we jointed and now we march on Washington.
Honeysuckle and NoCo writers explore the incredible community of pioneering innovators in business, science, environmentalism, agriculture, and spiritual understanding
If you’ve worked hard, the fruits of your labor are beginning to show.
Where most people see old tires, glass bottles, and repurposed materials as garbage, some gifted individuals see it as the vital ingredients to construction.
It seems that Harsley’s community is drawn as much to him as they are to his art, documentation, and the communal good housed at his gallery
Across the River and Into the Trees, the harshest critics said, revealed a washed-up Hemingway whose once lean, spare prose had given way to discursive, self-absorbed, hopelessly contrived murk.
We can recount at length the original criminalization of cannabis in the 1930s and again in 1970 as almost purely racist, political and economic.
Thus begins Julia Hart’s film, which proudly subverts many gendered superhero and action film tropes.
Jump aboard Trojan’s Hemp Road Trip bus for an insightful ride through our nationwide confusion about hemp and its innumerable uses.