Psychopathy and Madness: Society’s Obsession with Monsters
As a society, the fixation poses the question of why are we so obsessed with finding humanity in those where light seems to cease to exist? Is it searching for humanity?
As a society, the fixation poses the question of why are we so obsessed with finding humanity in those where light seems to cease to exist? Is it searching for humanity?
Ricki and I were going to chat about her latest documentary film Weed the People, which exposes the myriad benefits of medical cannabis for pediatric cancer patients, and how the profiled families risk financial and political stability to heal their children.
Bong Joon Ho’s work can thrill us as it pushes us to do better. Hopefully we will come out on the other side a kinder, more compassionate race. Regardless, Bong Joon Ho will be watching us, holding us to account.
In the stall, many drugs are consumed, and smartphones are ever-present, but the phones are used only for doing lines like a millennial mirror while the characters are actually connecting eye to eye and soul to soul
With new festival directors and a revised schedule, 2020 represented a Berlinale in transition, accurately reflected in the atmosphere.
With topics ranging from athletes with disabilities to trans people encountering harassment in homeless shelters, these students had ambitious projects that would require deep reporting, technical knowledge of camerawork, and a sense of aesthetic filmmaking.
Earlier this week, COVID_19 created a panic in the artist, as he watched people carelessly walking the streets of New York unprotected, or on the news, at beaches and in large groups.
“Women’s work,” or the exclusive delegation of tasks such as getting coffee rather than sitting in on a meeting to women, is what made women in the film industry leave or feel there wasn’t a path up for them.
Bell explains her portrayal of the young Dickinson, her directorial debut Scratch, her passion for women’s empowerment.
People loved how this weird and funny writer spoke his mind and did not care what anybody felt about it, and did it all through a relatively new and exciting platform.
Female empowerment is a big theme in almost all films that were showing that night.
Emily Robinson squeezed in some time to talk with Honeysuckle about the film, her inspiration, and how she’s living her best, post-adolescent life
By: Riley Dole Lynn Novick’s [https://www.pbs.org/kenburns/about-the-filmmakers/lynn-novick/] brilliantly insightful documentary, College Behind Bars, screened on November 16, 2019 at the first Harlem Documentary Film Festival. [https://documentaryforum.org/harlem-docfest/] The four hour, four-part series, executively produced by Ken Burns [http://kenburns.com/films/college-behind-bars/], is set to air on...
On October 25-27, the Quad Cinema [https://quadcinema.com/], New York’s first four-screen multiplex theater, was home to FFFest [https://fffest.org/], a series of screenings and panels devoted to the achievements of women in cinema. This is the second year in a row that FFFest has stormed the scene, and its lineup was...
It is this capturing of personal lives that makes the film so engaging.